Nuclear Imaginaries and Power in Oppenheimer.

Christopher Nolan's Oppenheimer is in awe of physics and the power it can bestow. Its central character is both mythic and human, and the film critiques and constructs the mythology surrounding him. The film presents science and technology as the individualized work of masculine genius, though it is ultimately more interested in nuclear weapons as political objects than as technological ones. Its nuclear imaginaries contain personal anxieties and stunning spectacle but also forget the nuclear uncanny and the human scale of nuclear weapons.

Performing the Manhattan Project in Los Alamos.

Los Alamos, New Mexico has an enduring and complicated relationship with its past. During World War II, its residents worked to create the world's first atomic weapons. The nuclear legacies of the Manhattan Project are global, but in contemporary Los Alamos the Project is often primarily considered a local history before a national or international one. The community's modern identity is constructed in part through creating its history, and this article studies two children's performances of the Manhattan Project past. The plots of these performances attempt to sidestep difficult history by avoiding nuclear weapons, which can ironically raise their uncanny specter in the imagination of the audience. The community history created in the performances privileges white scientist perspectives and at times flattens differences between past and present. This performed Manhattan Project is not only domestic - Los Alamos domesticates its complex history through these performances.

Philanthropy and scientific medicine: the history of the University of Minnesota's Cancer Institute.

The University of Minnesota's Cancer Institute was established in 1925 with a gift from the Citizens Aid Society. The Institute was the first cancer hospital in Minnesota, and its focus on patient care, research, and education laid the foundation for the eventual formation of the Masonic Cancer Center. This article describes the origins of interdisciplinary cancer care at the University of Minnesota.