Big business: The private sector market for image and performance enhancing drug harm reduction in the UK.

This article draws on three mutually independent ethnographic studies to explore the private sector market for image and performance enhancing drug (IPED) harm reduction in the UK, specifically examining (1) steroid accessory supplements; (2) blood testing services; and (3) bloodletting services. After contextualising the work with a discussion of IPED use and harm reduction and the substantial growth of the global health and fitness industry, each private sector provision is critically interrogated with the following questions in mind: what is the role and utility of these services compared to public sector provision? Why has the private sector begun to deliver IPED harm reduction products and services in the UK? And how does this provision relate to the health and fitness industry more broadly? The paper concludes with some reflections about the future direction of IPED harm reduction, the importance of community-led services, and the need to think innovatively if we are to best protect users' health and wellbeing.

Post-industrial masculinities and gym culture: Graft, craft, and fraternity.

This article theorizes a link between contemporary masculinity in post-industrial spaces and 'hardcore' gym culture. Over the last three decades the health and fitness industry has grown exponentially, with bodily modification and the proliferation of gymnasia, health supplements and wearable fitness trackers now a dominant means by which many construct their identities. Simultaneously, the onset of wholesale neoliberalism, which has caused large-scale de-industrialization and the global outsourcing of labor, has resulted in a macro-economic shift from production to consumption in the West. Set against this backdrop, this article draws upon two ethnographic studies in 'hardcore' gyms to examine the significance of bodywork in the lives of men in two working-class, post-industrial locales in England. First, gym work is conceptualized as a form of both graft and craft within our samples, and the role of the male body as a post-industrial project is considered. Following this, the gym is presented as a site of fraternity which, following the loss of collectivizing industry in both areas, allows men to bond over a shared endeavor and build genuine kinship. Ultimately, we conclude that the gym is a space of production within consumption, furnishing our sample with a means of performing their embodied masculinity and repurposing formative notions of graft, craft, and fraternity in a new adaptive space.