Materials and techniques used for the "Vienna Moamin": multianalytical investigation of a book about hunting with falcons from the thirteenth century.

A multianalytical approach was used to characterize the materials in the "Vienna Moamin", an outstanding richly illustrated manuscript from the late thirteenth century, which was made in Italy and is now kept in the Kunsthistorisches Museum Wien. The investigations were carried out with a non-invasive approach by using complementary techniques, such as X-ray fluorescence (XRF), reflection Fourier transform infrared spectroscopy (rFTIR), Raman spectroscopy, and fiber optic reflectance spectroscopy (FORS). In addition, XRF scans were performed in two areas which yielded chemical maps showing the elemental distribution. The results revealed that typical materials from the medieval times were applied for the manuscript. Calcium carbonate on the parchment surface indicated a dehairing process with lime and/or whitening with chalk. Two different iron gall inks were detected in the main text and marginal notes, and vermilion was used for rubrication. The color palette included azurite, a green colorant composed of orpiment and indigo, yellow ochre, brown iron oxide pigments, minium, vermilion, brazilwood lake, and carbon black. Moreover, mosaic gold was detected in gold-beige hues. Lead white was identified for white areas and fine decoration lines, as well as in mixture with blue and red pigments for light color shades. No reliable information could be obtained concerning the binding media. Two differing application techniques for gold leaf were detected, which correspond with stylistic differences: either on gypsum or chalk preparation layers. Furthermore, calcium soap contents in certain colors were determined only on one folio with unique characteristics. The XRF scans of two historiated initials revealed that similar materials were applied in both cases and provided further valuable information about the painting technique. The results obtained enabled to gain insights into Italian thirteenth century manuscript production techniques and to characterize the used materials. The investigations showed the importance of scanning XRF for the elucidation of painting techniques, but also the demand of scanning devices utilizing compound specific analytical techniques such as rFTIR. SUPPLEMENTARY INFORMATION: The online version contains supplementary material available at 10.1186/s40494-021-00553-w.

What about Phenol Formaldehyde (PF) Foam in Modern-Contemporary Art? Insights into the Unaged and Naturally Aged Material by a Multi-Analytical Approach.

The ageing behavior of phenol formaldehyde (PF) foam, a material increasingly used in modern-contemporary art, was investigated by a multi-analytical approach. PF foams with open- and closed-cell structures were selected and analyzed in their unaged and naturally indoor-aged state by employing optical microscopy (OM) and fiber optical reflectance spectroscopy (FORS) for assessing their morphology and color alteration. Micro-Fourier transform infrared spectroscopy (µ-FTIR) was used for determining chemical changes and oxidation processes, and the acidity was monitored by pH measurements. The results clearly showed the extreme sensitivity of both open- and closed-cell PF foams to conditions typically found in indoor museums. OM indicated that the cells of the foams are prone to disrupt, and a tendency towards a red color shift was observed with FORS. µ-FTIR revealed the formation of quinone groups resulting from oxidation reactions. Finally, a slight decrease in the acidity was found by pH measurements.

Azurite in medieval illuminated manuscripts: a reflection-FTIR study concerning the characterization of binding media.

In illuminated manuscripts, a reliable identification of oxyanion pigments such as azurite by rFTIR is simple, as several combination and overtone bands are strongly enhanced compared to transmission mode. However, the characterization of the used binding media is rather difficult, as the analysis of four medieval manuscripts from the late thirteenth to the fifteenth century (e.g. Cod. slav. 8 in the collection of the Austrian National Library), as well as the earliest known map of Vienna (Albertinischer Plan from 1421, Wien Museum) showed. According to the literature, mainly glair (egg white) and plant gums were applied as binding media for azurite. Moreover, both were used in many cases also as "varnishes" in order to improve optical and mechanical properties of the paint layer. In order to assess the possibilities and to distinguish between proteinaceous and carbohydrate binders, mock-ups with azurite were prepared on parchment support with various quantities of binders. Additionally, some of the specimen were varnished using the binders mentioned above. Furthermore, mock-ups on aluminium foil were prepared to evaluate the influence of the support on the reflection spectra. The results showed that the binding medium content in the mock-ups usually was too low for a reliable determination by rFTIR (except the ones with the highest contents), whereas it was possible to characterize the varnish materials. Only an insignificant influence of the support on the spectra from the mock-ups was observed. However, the spectra obtained from three manuscripts suggested a certain influence of the parchment support, which indicates thinner paint layers.