La danza afroecuatoriana: alternativa metodológica para la inclusión de estudiantes con hiperactividad en la Educación Física

Se reconoce que la danza afroecuatoriana es un lazo de conexión con los ancestros y la identidad, y aporta una educación del movimiento que facilita, a su vez, el desarrollo de valores educativos en torno al tratamiento del cuerpo; ello favorece la motivación hacia la práctica de la actividad física continuada. El objetivo de la investigación radica en proponer la danza afroecuatoriana como una alternativa metodológica para la inclusión de estudiantes con hiperactividad y se contextualiza en décimo año, con un total de 35 estudiantes, y una muestra de un estudiante con trastorno por déficit de atención e hiperactividad, de la Básica Superior de la Unidad Educativa "José Otilio Ramírez Reina", provincia de Esmeraldas en Ecuador. El estudio, se sustentó en un enfoque cuantitativo-cualitativo y el método dialectico-materialista; se emplearon métodos del nivel teórico como el histórico-lógico y el análisis-síntesis y del nivel empírico el análisis documental, la observación y la encuesta, para interpretar las derivaciones obtenidas en cada etapa que transitó desde el nivel exploratorio, descriptivo, hasta llegar a una explicación del fenómeno investigado. Los resultados revelan el insuficiente reconocimiento de la danza afroecuatoriana para la inclusión de estudiantes con este trastorno, así como la escasa producción científica relacionada con la temática. Del estudio realizado se concluyó que la danza afroecuatoriana constituye una vía expedita para un mejor conocimiento, disfrute y preservación de la identidad, en estos estudiantes.

Reconhece-se que a dança afro-equatoriana é um vínculo de ligação com os ancestrais e a identidade, e proporciona uma educação em movimento que facilita, por sua vez, o desenvolvimento de valores educativos em torno do tratamento do corpo; Isso favorece a motivação para a prática de atividade física continuada. O objetivo da pesquisa consiste em propor a dança afro-equatoriana como alternativa metodológica para a inclusão de alunos com hiperatividade e está contextualizada no décimo ano, com um total de 35 alunos, e uma amostra de um aluno com transtorno de déficit de atenção e hiperatividade, da Escola Básica Superior da Unidade Educacional "José Otilio Ramírez Reina", província de Esmeraldas no Equador. O estudo baseou-se na abordagem quanti-qualitativa e no método dialético-materialista; Métodos do nível teórico como histórico-lógico e análise-síntese e do nível empírico, análise documental, observação e levantamento, foram utilizados para interpretar as derivações obtidas em cada etapa que passou do nível exploratório, descritivo, até chegar a uma explicação do fenômeno investigado. Os resultados revelam o insuficiente reconhecimento da dança afro-equatoriana para a inclusão de alunos com esse transtorno, bem como a limitada produção científica relacionada ao tema. Do estudo realizado concluiu-se que a dança afro-equatoriana constitui um caminho expedito para um melhor conhecimento, diversão e preservação da identidade destes alunos.

Afro-Ecuadorian dance is a bond of connection with ancestors and identity, and provides an education in movement that facilitates, in turn, the development of educational values around the treatment of the body; this favors motivation towards the practice of continued physical activity. The objective of the research lies in proposing Afro-Ecuadorian dance as a methodological alternative for the inclusion of students with hyperactivity and is contextualized in the tenth grade, with a total of 35 students, and a sample of a student with attention deficit hyperactivity disorder, from the Higher Basic School "José Otilio Ramírez Reina" Educational Unit, province of Esmeraldas in Ecuador. The study was based on a quantitative-qualitative approach and the dialectical-materialist method; methods from the theoretical level such as historical-logical and analysis-synthesis and from the empirical level, documentary analysis, observation and survey, were used to interpret the derivations obtained in each stage that went from the exploratory, descriptive level, until reaching an explanation of the phenomenon investigated. The results reveal the insufficient recognition of Afro-Ecuadorian dance for the inclusion of students with this disorder, as well as the limited scientific production related to the topic. From the study carried out, it was concluded that Afro-Ecuadorian dance constitutes an expeditious route for better knowledge, enjoyment and preservation of identity in these students.

Danza contemporánea y expresión corporal en la Educación Física inclusiva: una estrategia para estudiantes con múltiples discapacidades

La necesidad de buscar alternativas que permitan la inclusión de los estudiantes con diferentes discapacidades en la práctica de la Educación Física induce a que se utilice la danza contemporánea como expresión corporal, pues impacta en el desarrollo y mejora la calidad de vida, en lo físico y psicológico, al expresarse emociones y sentimientos a través del movimiento. El trabajo que se presenta tiene como finalidad diseñar una estrategia de inclusión para estudiantes con discapacidades múltiples donde la Educación Física utilice la danza contemporánea como expresión corporal en las aulas especializadas, en la unidad educativa "Dolores Cacuango" de la parroquia Pascuales, Guayas-Guayaquil. Para el estudio se aplicaron métodos científicos como la revisión documental, la entrevista, la encuesta y la observación para recopilar información acerca de los estudiantes con diferentes discapacidades, y de los docentes involucrados en las clases de Educación Física y su combinación con la danza contemporánea. Como resultados, se diseña una estrategia de inclusión para estudiantes con discapacidades múltiples donde la Educación Física utiliza la danza contemporánea como expresión corporal. Se concluyó que las dinámicas de las actividades danzarías propuestas en la estrategia, se fundamentaron sobre bases científicas, y en correspondencia con la relación entre actividad física, condición física y salud, para fortalecer los músculos, mejorar el equilibrio, la coordinación del movimiento, la inclusión a la sociedad, y el compartir un mismo proyecto humano.

A necessidade de buscar alternativas que permitam a inclusão de alunos com diferentes deficiências na prática da Educação Física leva à utilização da dança contemporânea como expressão corporal, uma vez que impacta o desenvolvimento e melhora a qualidade de vida, física e psicológica, quando as emoções e os sentimentos são expressos através do movimento. O objetivo do trabalho apresentado é desenhar uma estratégia de inclusão de alunos com deficiência múltipla onde a Educação Física utiliza a dança contemporânea como expressão corporal em salas de aula especializadas, na unidade educacional "Dolores Cacuango" da freguesia de Pascuales, Guayas-Guayaquil. Para o estudo foram aplicados métodos científicos como revisão documental, entrevista, levantamento e observação para coletar informações sobre alunos com diferentes deficiências e professores envolvidos nas aulas de Educação Física e sua combinação com a dança contemporânea. Como resultado, desenha-se uma estratégia de inclusão para alunos com deficiência múltipla onde a Educação Física utiliza a dança contemporânea como expressão corporal. Concluiu-se que a dinâmica das atividades de dança propostas na estratégia foram baseadas em bases científicas, e em correspondência com a relação entre atividade física, condição física e saúde, para fortalecer os músculos, melhorar o equilíbrio, a coordenação do movimento, a inclusão na sociedade, e compartilhando o mesmo projeto humano.

The need to look for alternatives that allow the inclusion of students with different disabilities in the practice of Physical Education leads to the use of contemporary dance as body expression, since it impacts development and improves the quality of life, physically and psychologically, when emotions and feelings are expressed through movement. The purpose of the work presented is to design an inclusion strategy for students with multiple disabilities where Physical Education uses contemporary dance as body expression in specialized classrooms, in the "Dolores Cacuango " educational unit of the Pascuales parish, Guayas-Guayaquil. For the study, scientific methods such as documentary review, interviews, surveys and observations were applied to collect information about students with different disabilities, and teachers involved in Physical Education classes and their combination with contemporary dance. As results, an inclusion strategy is designed for students with multiple disabilities where Physical Education uses contemporary dance as body expression. It was concluded that the dynamics of the dance activities proposed in the strategy were based on scientific bases, and in correspondence with the relationship between physical activity, physical condition and health, to strengthen muscles, improve balance, coordination of movement, inclusion in society, and sharing the same human project.

Translation, cross-cultural adaptation, reliability and validity of the Brazilian Portuguese version of the 'Fit to Dance?' survey.

BACKGROUND: The 'Fit to Dance?' survey has been used in a number of studies to understand the health and wellbeing of dancers. These data have not been collected in Brazil as there is no validated questionnaire available in Brazilian Portuguese, culturally validated in Brazil with a scope as broad and comprehensive as that of 'Fit to Dance?'. OBJECTIVE: Translate into Brazilian Portuguese and culturally validate the questionnaire 'Fit to Dance?' in Brazil. METHODS: This was a validity and reliability study of the Brazilian Portuguese version of the 'Fit to Dance?' SURVEY: The stages of the research were: translation into the target language (Brazilian Portuguese), translation synthesis, translation validation and cross-cultural adaptation by a committee of experts in Dance Medicine and Science (DMS), reverse translation into English, pilot study (test/retest), and final version of the questionnaire. RESULTS: The questionnaire was applied to 21 dancers of different dance genres, with an age average of 25 ± 7.0 years. Cronbach's alpha (0.705), ICC (0.984) and Kappa (0.794) results reached adequate values. CONCLUSION: The Brazilian Portuguese version of the questionnaire 'Fit to Dance?' is effective, has adequate levels of validity and reliability, and can be used to report injuries and aspects of health and well-being of Brazilian dancers.

A dança no processo terapêutico: trânsitos do universo de si para o autoconhecimento e libertação dos nódulos emocionais / Dance in the therapeutic process: transitis from the self-universe to self-knowledge and release from emotional nodules / La danza en el proceso terapéutico: transitos del universo del yo al autoconocimiento y liberación de nódulos emocionales

O ser humano é um ser que se constrói, apresenta e reverbera, no mínimo, em dois universos, que não são opostos; são complementa-res, e se pronunciam em relações multidirecionais, plurais e imbricadas em rizomas físicos, mentais, emocionais e espirituais. Somos seres indi-viduais e coletivos, onde tecemos uma complexa trama relacional tanto no campo da razão quanto das emoções. No entanto, essas últimas são territórios muito, e quase sempre, negligenciados por nós. Nesse artigo, propomos trazer reflexões sobre nossos estados de desajustes emocionais e levando o olhar para a dança como potencialidades de se conhe-cer de forma mais verdadeira e honesta no intuito de repensarmos nos-so conceito de saúde.

The human being is a being that is constructed, presented, and reverberates, at least, in two universes which are not opposites, are com-plementary and are pronounced in multidirectional, plural relationships and imbricated in physical, mental, emotional, and spiritual rhizomes. We are individual and collective beings where we weave a complex rela-tional web both in the Field of reason and emotions. However, the latter are territories that are very anl almost ways neglected by us. In this ar-ticle we propose to bring reflections on our states of emotional mal ad-justment and taking the look at dance as a potential to know each other more truthfully and honestly to rethink our concept of health.

El ser humano es un ser que se construye, se presenta y re-percute, por lo menos, em dos universos que no son opuestos, son com-plementarios y se manifiestan em relaciones multidireccionales, plurales e imbricados en rizomas físicos, mentales, emocionales y espirituales. Somos seres individuales y colectivos donde tenemos una compleja red relacional tanto en El campo de la razón como em El de las emociones. Sin embargo, estos últimos son territorios muy y casi siempre descui-dados por nosotros. Em este artículo nos proponemos traer reflexiones sobre nuestros estados de desajuste emocional y la mirada a la danza como potencial para conocérnoslas veraz y honestamente para repen-sar nuestro concepto de salud.

A dança no processo terapêutico: trânsitos do universo de si para o autoconhecimento e libertação dos nódulos emocionais / Dance in the therapeutic process: transitis from the self-universe to self-knowledge and release from emotional nodules / La danza en el proceso terapéutico: transitos del universo del yo al autoconocimiento y liberación de nódulos emocionales

O ser humano é um ser que se constrói, apresenta e reverbera, no mínimo, em dois universos, que não são opostos; são complementares, e se pronunciam em relações multidirecionais, plurais e imbricadas em rizomas físicos, mentais, emocionais e espirituais. Somos seres individuais e coletivos, onde tecemos uma complexa trama relacional tanto no campo da razão quanto das emoções. No entanto, essas últimas são territórios muito, e quase sempre, negligenciados por nós. Nesse artigo, propomos trazer reflexões sobre nossos estados de desajustes emocionais e levando o olhar para a dança como potencialidades de se conhecer de forma mais verdadeira e honesta no intuito de repensarmos nosso conceito de saúde (AU)

The human being is a being that is constructed, presented, and reverberates, at least, in two universes which are not opposites, are com-plementary and are pronounced in multidirectional, plural relationships and imbricated in physical, mental, emotional, and spiritual rhizomes. We are individual and collective beings where we weave a complex rela-tional web both in the Field of reason and emotions. However, the latter are territories that are very anl almost ways neglected by us. In this ar-ticle we propose to bring reflections on our states of emotional mal ad-justment and taking the look at dance as a potential to know each other more truthfully and honestly to rethink our concept of health (AU).

El ser humano es un ser que se construye, se presenta y re-percute, por lo menos, em dos universos que no son opuestos, son com-plementarios y se manifiestan em relaciones multidireccionales, plurales e imbricados en rizomas físicos, mentales, emocionales y espirituales. Somos seres individuales y colectivos donde tenemos una compleja red relacional tanto en El campo de la razón como em El de las emociones. Sin embargo, estos últimos son territorios muy y casi siempre descui-dados por nosotros. Em este artículo nos proponemos traer reflexiones sobre nuestros estados de desajuste emocional y la mirada a la danza como potencial para conocérnoslas veraz y honestamente para repen-sar nuestro concepto de salud (AU).

Can Dance Improve Turning in People With Parkinson's Disease?

Objective: To investigate the effects of a dance intervention on selected functional parameters during the 180° turning phase of the Timed Up & Go (TUG) test in people with Parkinson's Disease (PwPD). Methods: Fifteen adults clinically diagnosed with idiopathic PD were allocated into dance intervention (DIG; n = 7 ; age 73 ± 2 years) and control (CG; n = 8; age 64 ± 5 years) groups. The dance intervention lasted for 3 months (1 hour, twice a week). At baseline, all participants completed the Unified PD Rating Scale-part III, the International Physical Activity Questionnaire-short form, and the Hoehn & Yahr scale. Pre- and post-intervention, the primary outcomes were measured (number of steps and time to complete the 180° turning phase of the TUG test) at 2 speeds (comfortable walking and as quickly and safely speed) while using the Xsens® 3D motion suit. The secondary outcome (girdle dissociation) was assessed by calculating the difference between pelvis and affected shoulder orientation in the transverse plane (dissociation angles) at each data point during the TUG test's 180° turning phase. Results: At participant's comfortable walking speed, the functionality during the 180° turning remained unaffected following the dance intervention. However, at participant's fast speed, the dance intervention group significantly reduced the number of steps with a large effect size, and the total time taken to complete the 180° turning with a medium effect size. Post-intervention, most participants in the dance intervention group reduced the affected shoulder and pelvic girdle dissociation and turned more "en bloc." Conclusion: Dance can improve selected functional parameters during the 180° turning at fast speed in PwPD. The current results should be considered in rehabilitation programs.

Brazilian dance self-perceived impacts on quality of life of people with Parkinson's.

Background: Parkinson's disease (PD) causes several motor and non-motor symptoms, resulting in negative impacts on physical, mental, emotional, and social aspects of people with PD quality of life. Dance has been considered as a potential non-pharmacological intervention to improve people with PD motor and non-motor symptoms, thereby enhancing quality of life. Purpose: To analyze the self-perceive impacts of Brazilian Dance on the quality of life (physical, mental, emotional, and social) of PwPD, both before and during the COVID-19 pandemic. Methods: Fourteen participants from the "Dança & Parkinson" project were included in this qualitative study. Data collection instruments consisted of a profile and personal data sheet; assessment of accessibility to the online dance classes; Telephone Montreal Cognitive Assessment by phone call; and semi-structured interview conducted through ZOOM video call. The participants characterization data were calculated using mean, standard deviation, and percentages with the Excel Program version 2013. Qualitative data was analyzed using the Thematic Analysis technique in the Nvivo, version 8.0, qualitative analysis of text, sound, and video program. Results: The participants reported facing various challenges in dealing with PD, which negatively impact their quality of life. However, their resilience, acceptance, and dedication to treatment play an important role in coping with the issues related to the disease. Brazilian dance, both in-person before the COVID-19 pandemic and online during the pandemic, led the participants to perceive improvements in physical, mental, emotional, and social aspects of quality of life. Conclusion: The Brazilian dance appears to have a positive impact on the physical, mental, emotional, and social aspects of the participants' quality of life, both before and during the COVID-19 pandemic.

Dança do Ventre: imagens contemporâneas / Danza del vientre: imágenes contemporáneas / Belly dance: contemporary images

A história da dança do ventre costuma ser atribuída às práticas ritualísticas da Antiguidade no Oriente Médio. Essa narrativa dificilmente sustenta-se como fato histórico. Entretanto, algumas imagens desempenham papel importante ao gerar sentidos sobre essa dança enquanto manifestação expressiva na atualidade. O objetivo do artigo é investigar os principais fatores relacionados ao movimentar-se presentes na dança do ventre, levando em conta seus aspectos simbólicos e expressivos, de forma a identificar os sentidos desta dança para bailarinas e bailarinos brasileiros. O estudo segue uma orientação fenomenológica que busca descrever as imagens sobre a dança do ventre reveladas em pesquisas de campo. Narrativas associadas ao feminino são recorrentes e sugerem uma elaboração potente, que dialoga com a ancestralidade e se atualiza de forma contemporânea. A dança ganha um sentido existencial e único para quem dança, mas revela um potencial expressivo que é universal.

The history of belly dancing is often attributed to ancient ritualistic practices in the Middle East. This narrative hardly holds up as a historical fact. However, some images are essential in generating meanings about this dance as an expressive manifestation today. The article's objective is to investigate the main factors related to movement present in belly dancing, taking into account its symbolic and expressive aspects, to identify the meanings of this dance for Brazilian dancers. The study follows a phenomenological orientation that seeks to describe the images of belly dancing revealed in field research. Narratives associated with the feminine are recurrent and suggest a powerful elaboration, which dialogues with ancestry and is updated in a contemporary way. The dance takes on an existential and unique meaning for those who dance but reveals a universal expressive potential.

La historia de la danza del vientre a menudo se atribuye a antiguas prácticas rituales femeninas en las sociedades del Medio Oriente. Históricamente, estas narraciones no se sostienen. Aun así, estas imágenes juegan un papel importante en la afirmación de un arquetipo femenino, generando significados sobre esta danza y su importancia como manifestación expresiva en la actualidad. Este estudio fenomenológico busca describir y profundizar en estas y otras imágenes reveladas en testimonios e investigaciones de campo. A partir de esto, buscamos comprender cómo la práctica de la danza del vientre transforma percepciones y sentidos sobre el cuerpo y el mundo de quien baila. Lo femenino de la danza parece fortalecerse colectivamente y sugiere una intención de cambio constante, a partir de experiencias corporales, en contacto con el mundo, desde un lenguaje propio: una práctica de negociación y elaboración de un femenino mucho más contemporáneo que el mito supone.

Diálogo entre dança e deficiência: uma revisão integrativa / Dialogue between dance and disability: an integrative review

RESUMO A dança vem conquistando novos espaços, trazendo o corpo e o movimento humano em evidência. Nos anos de 1980, a interface "dança e deficiência" começou a compor as pesquisas nacionais, alcançando a perspectiva educacional. Diante da vasta possibilidade de pesquisas mediadas por essa temática, este estudo teve como objetivo refletir acerca dos artigos que responderam ao seguinte questionamento norteador: Como a literatura tem abordado a temática "dança" no contexto da deficiência? Realizou-se uma revisão integrativa a partir das seguintes bases: Literatura Latino-Americana e do Caribe em Ciências da Saúde (LILACS), Medical Literature Analysis and Retrieval System Online (MEDLINE) e Portal de Periódicos da Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (Periódicos CAPES), sem delimitação de ano de publicação. Os 20 estudos selecionados para a amostra final demonstraram um maior número de publicações nas áreas de Educação Física, Educação e Artes. As modalidades mais mencionadas foram: dança educativa, dança esportiva em cadeira de rodas e dança contemporânea. Assim, buscou-se conhecer os caminhos que vêm sendo percorridos por meio dessa interface, que, apesar de ainda pouco explorada, demonstra grande potencial transformador, enfatizando a dança como um elemento capaz de abarcar todos os corpos, em suas mais diversas nuances.

ABSTRACT Dance has been conquering new spaces, bringing the human body and movement to the fore. In the 1980s, the "dance and disability" interface began to compose national research, reaching an educational perspective. Given the vast possibility of research mediated by this theme, this study aimed to reflect on the articles that answered the following guiding question: How has literature approached the theme "dance" in the context of disability? An integrative review was carried out on the following databases: Latin American and Caribbean Literature in Health Sciences (LILACS), Medical Literature Analysis and Retrieval System Online (MEDLINE) and Journal database of the Coordination for the Improvement of Higher Education Personnel (Periódicos CAPES), without delimiting the year of publication. The 20 studies selected for the final sample had a greater number of publications in the field of Physical Education, Education and Arts. The most mentioned modalities were: educational dance, sports dance in a wheelchair and contemporary dance. Thus, it was sought to know the paths that have been taken through this interface, which, although still little explored, demonstrates great transforming potential, emphasizing dance as an element capable of encompassing all bodies, in their most diverse nuances.

Does the Argentine Tango Sustainably Improve Cancer-Associated Fatigue and Quality of Life in Breast Cancer Survivors?

BACKGROUND: Chronic cancer-related fatigue is difficult to manage in breast cancer survivors. The tango trial showed that a six-week tango Argentino program was effective in reducing fatigue and improving quality of life, and here we investigated the sustainability of this tango program for breast cancer survivors. METHODS: Stage I-III breast cancer survivors with increased fatigue symptoms were analyzed. The fifty participants in the tango trial were compared with a control cohort (n = 108) who did not participate in the tango program. Using the European Organization for Research and Treatment of Cancer Questionnaire C30 (EORTC-QLQ-C30) and the German version of the cancer fatigue scale (CFS-D) self-reported quality of life parameters were assessed and longitudinal changes, correlations, and association factors were calculated. RESULTS: Significant improvements in fatigue (p = 0.006), physical functioning (p = 0.01), and diarrhea (p = 0.04) persisted in the 50 Tango participants at 6 months, but not in the control cohort. Twelve months after joining the tango program, increased fatigue was associated with reduced sporting activities (p = 0.0005), but this was not the case for tango dancing. CONCLUSIONS: The present results suggest that tango may be appropriate as a component of early supportive and follow-up care programs, to promote health-related quality of life and physical activity and also eventually to improve long-term clinical outcomes of breast cancer survivors. TRIAL REGISTRATION: Trial registration numbers DRKS00013335 on 27 November 2017 and DRKS00021601 on 21 August 2020 retrospectively registered.

Análisis de la danza como herramienta educativa para el alumnado con Síndrome de Down: revisión narrativa / Analysis of dance as an educational tool for students with Down Syndrome: narrative review / Análise da dança como ferramenta educativa para alunos com Síndrome de Down: revisão narrativa

Resumen La danza es una actividad físico-deportiva y artística idónea para el desarrollo integral del alumnado y puede considerarse como promotora de inclusión. Por ello, el objetivo de este estudio fue realizar una revisión narrativa relacionada con los beneficios que aporta la danza en el alumnado con Síndrome de Down (SD) en la etapa de educación infantil. Para realizar la búsqueda de los documentos, se emplearon las palabras clave: "Child Education", "Dance" y "Down Syndrome". Los manuscritos fueron buscados en las bases de datos Web of Science, Scopus, SPORTDiscus y PubMed, hasta enero de 2023. Para ajustar la búsqueda al objeto de estudio, se estableció una serie de criterios de inclusión: i) cualquier tipo de documento científico relacionado con la temática; ii) manuscritos que indiquen, en el cuerpo del texto, al menos una descripción de los alumnos con SD de una longitud mínima de 50 palabras; iii) documentos realizados en inglés, español y/o portugués; y, iv) manuscritos que permitan obtener el texto completo; se obtuvo un total de 9 documentos. Los resultados mostraron una escasez de documentos en relación con el ámbito de estudio, como consecuencia de ser una temática muy específica. Asimismo, los manuscritos incluidos en esta revisión reportan que los beneficios que podrían obtenerse de la danza para el alumnado con SD están relacionados con la conciencia y el control postural, la mejora de aspectos sociales y mejoras a nivel cognitivo y emocional, así como el disfrute. Por ello, se recomienda ampliar el número de investigaciones futuras relacionadas con la danza en el sistema educativo y, concretamente, en la etapa de educación infantil, debido a los múltiples beneficios que aporta al alumnado con discapacidad.

Abstract Dance is a physical/sports and artistic activity appropriate to the comprehensive development of students, and can be considered as a means to promote inclusion. Thus, the objective of this study was to carry out a narrative review related to the benefits of dance in students with Down Syndrome (DS) in the child education stage. In order to carry out the search of documents, the keywords "Child Education", "Dance", and "Down Syndrome" were used. Manuscripts were searched in the Web of Science, Scopus, SPORTDiscus and PubMed data bases, up to January, 2023. In order to adjust the search of the object of study, a series of inclusion criteria was established: i) any type of scientific document relating to the topic; ii) manuscripts indicating, within the text body, at least one description of the students with DS that is at least 50 words in length; iii) documents written in English, Spanish and/or Portuguese; and iv) manuscripts that allow to obtain the full text. A total 9 documents were obtained. The results showed a scarcity of documents concerning the domain of study, as a result of this being a very specific topic. Similarly, the manuscripts included in this review report that the benefits that could derive from dance for students with DS have to do with posture awareness and control, the improvement of social aspects and improvements of a cognitive and emotional nature, as well as enjoyment. Therefore, it is recommended to expand the number of future research projects related to dance in the educational system, and concretely in the child education stage, due to the multiple benefits this brings to students with disabilities.

Resumo A dança é uma atividade físico-esportiva e artística idônea para o desenvolvimento integral dos alunos e pode ser considerada como promotora de inclusão. Portanto, este estudo teve como objetivo realizar uma revisão narrativa relacionada aos benefícios que a dança proporciona aos alunos com Síndrome de Down (SD) na etapa da educação infantil. Para busca dos documentos foram utilizadas as palavras-chave: "Child Education", "Dance" e "Down Syndrome". Os manuscritos foram pesquisados nas bases de dados Web of Science, Scopus, SPORTDiscus e PubMed, até janeiro de 2023. Para adequar a busca ao objeto de estudo, foi estabelecida uma série de critérios de inclusão: i) qualquer tipo de documento científico relacionado ao tema; ii) manuscritos que indiquem, no corpo do texto, pelo menos uma descrição de alunos com SD com extensão mínima de 50 palavras; iii) documentos elaborados em inglês, espanhol e/ou português; e, iv) manuscritos que permitam a obtenção do texto completo; foram obtidos um total de 9 documentos. Os resultados mostraram escassez de documentos em relação à área de estudo, por se tratar de um tema muito específico. Da mesma forma, os manuscritos incluídos nesta revisão mostram que os benefícios que poderiam ser obtidos com a dança para alunos com SD estão relacionados à consciência e ao controle postural, à melhoria dos aspectos sociais e às melhorias no âmbito cognitivo e emocional, bem como ao prazer. Portanto, recomenda-se ampliar o número de pesquisas futuras relacionadas à dança no sistema educacional e, especificamente, na etapa da educação infantil, pelos múltiplos benefícios que traz aos alunos com deficiência.

Sistematización del proceso de investigación y análisis de la administración y gestión de un proyecto de danza, movimiento humano y salud: Líneas de trabajo en salud y prevención primordial de Danza Universitaria / Systematization of the Research and Analysis Process of Administration and Management of a Dance, Human Movement and Health Project: Lines of Work in Health and Primary Prevention of Danza Universitaria / Sistematização do processo de investigação e análises da administração e gestão de um projeto de dança, movimento humano e saúde: formas de trabalho em saúde e prevenção primordial de Dança Universitária

Resumen: Introducción: En el contexto de una compañía profesional de danza, la pandemia ha generado cambios en las dinámicas de trabajo existentes tanto a nivel de áreas profesionales como de gestión. Propósito: Mostrar las acciones tomadas por una compañía profesional de danza en relación con la organización y la gestión para posicionar su quehacer al servicio de la sociedad a través del proyecto Líneas de trabajo en salud y prevención primordial de Danza Universitaria, surgido de la coyuntura de la COVID-19. Metodología: Sistematización de una experiencia de carácter exploratorio comprendida entre los meses de agosto del 2020 a octubre 2021, cuyos hallazgos reportados son el resultado de un proceso de recolección y organización de datos. Resultados: Se obtuvo información detallada y precisa sobre cada aspecto relacionado a la organización y administración del proyecto. Sistematización: Contextualización y análisis de la compañía Danza Universitaria, su recurso humano, visiones y prácticas dancísticas, al posicionar la danza como destreza de movimiento para la salud integral y abarcar el rol de profesionales de la danza para desembocar en los procesos administrativos y de gestión de la compañía. Conclusiones: Se esclarecen las dimensiones del proyecto como un sistema integrado en la comunidad y se visibiliza la capacidad de respuesta de este a las necesidades del entorno y al aporte de la danza y del movimiento para la salud integral. Recomendaciones: Valorar este proyecto como un espacio único que ha servido como objeto de estudio y parte de una experiencia académica que aporta al desarrollo y la gestión de las artes, el movimiento humano, la educación y la salud.

Abstract: Introduction: In the context of a professional dance company, the pandemic has generated changes in the existing work dynamics in its professional and managerial areas. Purpose: to show the organization and management actions taken by a professional dance company, aiming to position its work at the service of society through Lines of work in health and primary prevention of Danza Universitaria, a project that arises in response to the COVID-19 pandemic. Methodology: systematization of exploratory experience whose reported findings are the result of data collection and organization process between the months of August 2020 to October 2021. Results: detailed and precise information was obtained on each aspect related to the organization and project management. Systematization: the dance company, its human resources, visions and dance practices are contextualized and analyzed, positioning dance as a movement skill for integral health and encompassing the role of the dance professional to lead to the administrative and management processes of the company. Conclusions: the dimensions of the project as an integrated system in the community are clarified and its response capacity to the needs of the environment as well as the contribution of dance and movement for integral health is made visible. Recommendations: to value this project as a unique space that has served as an object of study and part of an academic experience that contributes to the development and management of the arts, human movement, education, and health.

Resumo: Introdução: No contexto de uma companhia profissional de dança a pandemia havia gerado mudanças nas dinâmicas de trabalho existentes tanto a nível das áreas profissionais como de gestão. Objetivo: Mostrar as ações tomadas por uma companhia profissional de dança com relação a organização e a gestão para posicionar o que fazer a serviços da sociedade através do projeto de Formas trabalho na saúde e prevenção primordial de Dança Universitária, surgido no período da COVID-19. Metodologia: sistematização de experiência de caráter investigativo no período compreendido nos meses de agosto 2020 a outubro 2021, cujos os traços encontrados no resultado do processo de apuração e organização dos datos. Resultado: obteve-se informações detalhada e precisa sobre cada aspecto relacionado a organização e administrativa do projeto. Sistematização: contextualização e análises da companhia de Dança Universitária, seu recurso humano, visões e prática dancísticas, a posicionar a dança como destreza de movimento para a saúde integral e abranger o rol do profissional de dança para terminar os processos administrativos e de gestão da companhia. Conclusões: deixa claro às dimensões do projeto como um sistema integrado entre a comunidade e se viabiliza a capacidade de resposta deste às necessidades de entorno e soporte da dança e o movimento para a saúde integral. Recomendações: valorizar este projeto como espaço único que serve como objeto de estudo e parte de uma experiência acadêmica que ajuda o desenvolvimento e gestão das artes, o movimento humano, a educação e a saúde.

Efeitos de uma Intervenção Psicológica no Estresse, Ansiedade, Concentração e Desempenho Físico em Bailarinas / Effects of Psychological Intervention on Stress, Anxiety, Concentration and Physical Performance in Dancers

Bailarinos sofrem pressões por bons desempenhos, tendo em vista que ao nível profissional sua prática é performática e exige resultados. Assim, avaliar e intervir com essa população é necessário. Objetivou-se avaliar os possíveis efeitos de uma intervenção psicológica nos níveis de estresse, ansiedade, concentração e desempenho físico de bailarinas adultas. Participaram do estudo onze bailarinas com idade entre 18 e 23 anos, que competiam nacional e internacionalmente na modalidade Jazz. Foram realizadas 14 sessões com duração média de 50 minutos cada, uma vez por semana. Trabalhou-se com psicoeducação, estabelecimento de metas, controle de estresse, ansiedade, atenção e concentração, entre outros. Por meio de testes específicos (Escala de Percepção de Estresse, Teste de Ansiedade de Competição Esportiva, Teste de Atenção Seletiva e desempenho físico através de banca julgadora), aplicados antes e após a intervenção, percebeu-se melhora da ansiedade e concentração, assim como de aspectos do desempenho físico, como qualidade técnica, tempo musical e performance geral. Ressalta-se a importância do acompanhamento psicológico, desde a avaliação até a intervenção, não apenas para melhorar o desempenho, mas também a saúde e qualidade de vida desta população.

Dancers are pressured by good performances, considering that at a professional level their practice is performative and requires results. Thus, evaluating and intervening with this population is necessary. The aim was to evaluate the possible effects of a psychological intervention on the levels of stress, anxiety, concentration and physical performance of adult dancers. Eleven dancers, aged between 18 and 23 years, who competed nationally and internationally in the Jazz modality, took part in the study. There were 14 weekly sessions with an average duration of 50 minutes each. We worked with psychoeducation, goal setting, stress control, anxiety, attention and concentration, among others. Through the specific tests (Stress Perception Scale, Sports Competition Anxiety Test, Selective Attention Test and physical performance through a judging panel), applied before and after the intervention, an improvement in anxiety and concentration was noticed, through the previously mentioned tests, as well as in aspects of physical performance, such as technical quality, musical time and general performance. The importance of psychological monitoring is emphasized, from evaluation to intervention, not only to improve performance, but also the health and quality of life of this population.

Effectiveness of elastic band training and group-based dance on physical-functional performance in older women with sarcopenia: a pilot study.

BACKGROUND: Sarcopenia is a syndrome associated with aging that causes progressive loss of skeletal muscle mass and muscle function. In this pilot study, we compared the effectiveness of elastic band training regarding group-based dance on fat mass, fat-free mass, handgrip strength (HGS; dominant and non-dominant hand), leg strength, timed up-and-go (TUG) and walking speed in older women with sarcopenia. METHODS: This is a randomized controlled trial, single-blind, repeated measures of parallel groups (elastic band group: EBG, n = 21; group-based dance: GBD, n = 19), and a quantitative methodology. Three 60-minute sessions per week for 12 weeks were dedicated to the interventions with pre- and post-assessments. A two-factor mixed analysis of variance (ANOVA) model with repeated measures was performed to measure the group×time effect. RESULTS: A significant interaction revealed for fat-free mass (F1,16= 18.91; p < 0.001; EBG + 10.9% vs. GBD - 1.97%), HGS dominant hand (F1,16= 7.44; p = 0.014; EBG + 10.9% vs. GBD + 0.59%), HGS non-dominant hand (F1,16= 6.41; p = 0.022; EBG + 10.21% vs. GBD + 3.80%), leg strength (F1,16= 17.98; p < 0.001; EBG + 9.1% vs. GBD + 3.83%), TUG (F1,16= 7.52; p = 0.014; EBG - 14.7% vs. GBD - 1.0%) and walking speed (F1,16 = 6.40; p = 0.019; EBG - 7.6% vs. GBD - 4.35%) in favor of EBG. CONCLUSION: Elastic band training produces significantly greater responses on physical-functional performance regarding group-based dance in older women with sarcopenia. On the other hand, the EBG revealed a significant improvement in fat-free mass and upper and lower limb muscle strength, as well as a significant decrease time in TUG, and walking speed. Elastic band exercise is a safe, easy, affordable, and effective physical activity strategy, according to the findings.

A Safe and Feasible Online Dance Intervention for Older Adults With and Without Parkinson's Disease.

Introduction: Dancing is one way of maintaining an active lifestyle, and online dance interventions in group settings can be a solution when in-person classes are impossible. This study investigated the feasibility and potential clinical effects of an online dance program for older adults with and without Parkinson disease (PD). Methods: Participants attended 2 weekly dance classes in the same videoconference room for 2 months. The dance activities were mainly performed while seated (around 75%). Researchers monitored feasibility (ie, adherence, attendance, and technological barriers) and safety. Pre- and post-intervention assessments investigated self-perceptions, effects on emotional domains, quality of life, activity-specific balance confidence, lower-limb functional mobility, and PD non-motor symptoms. Individuals also reported their self-perceptions regarding technology usability, enjoyment, and social interaction. Results: Most of the participants with PD (n = 12) had moderate PD (Hoehn & Yahr score) and presented a greater risk of falls when compared to participants without PD (n = 14). Overall, we found a high rate of adherence (100%), attendance (87.5%-91.7%), and safety (100%) for both groups. No falls or near-falls occurred during the sessions. Only the PD group ameliorated emotional domains (anxiety and depression) and improved lower-limb functional mobility. All participants reported feeling safe and perceived benefits, although over a third of older adults with PD reported moderate difficulties in using technology and in socializing with the group. Conclusion: This online dance protocol is feasible, safe, and a potential strategy to improve clinical parameters in older adults and people with moderate PD.

Effects of Dancing Associated With Resistance Training on Functional Parameters and Quality of Life of Aging Women: A Randomized Controlled Trial.

The purpose of the present study was to evaluate the effects of a dance intervention associated with resistance training or health education program on functional paramaters and quality of life of aging women. Thirty-six women were allocated to dance plus resistance training group (D + RT) or dance plus health education group (D + HE). Both interventions lasted 8 weeks and were performed twice a week. Dance sessions lasted 60 min. Resistance training was composed by two to three sets of 10-15 repetitions in five exercises. Improvements were found in 30-s chair stand (D + RT: 6 ± 1 repetitions; D + HE: 7 ± 1 repetitions), 30-s arm curl (D + RT: 7 ± 1 repetitions; D + HE: 7 ± 1 repetitions), 6-min walk (D + RT: 43 ± 12 m; D + HE: 55 ± 12 m), timed up and go (D + RT: -1.1 ± 0.3 s; D + HE: -1.4 ± 0.2 s), and psychological domain of quality of life (D + RT: 6 ± 2%; D + HE: 5 ± 3%), with no difference between groups. Both groups improve functional parameters and quality of life of aging women.

Efficacy of Tango Argentino for Cancer-Associated Fatigue and Quality of Life in Breast Cancer Survivors: A Randomized Controlled Trial.

BACKGROUND: Persistent impairments of quality of life-in particular, cancer-associated fatigue-are a major limitation for breast cancer survivors. As physical activity and mindfulness interventions have been shown to be effective in reducing fatigue symptoms, we investigated the efficacy of a six-week Argentine tango program. METHODS: A randomized controlled trial was conducted with 60 breast cancer survivors diagnosed with stage I-III tumors 12-48 months prior to study enrollment and who had increased symptoms of fatigue. The participants were randomly assigned with a 1:1 allocation to either the tango or the waiting group. The treatment consisted of six weeks of supervised weekly one-hour tango group-sessions. Self-reported fatigue and further quality of life parameters were assessed at baseline and six weeks post-baseline. Longitudinal changes, correlations, Cohen's D (d) effect sizes, and association factors were also calculated. RESULTS: Superiority of the tango intervention over the waiting list control was found in terms of improvement in fatigue (d = -0.64; 95%CI, -1.2 to -0.08; p = 0.03), especially cognitive fatigue. In addition, a superiority of the tango intervention over the waiting list was found in the improvement of diarrhea (d = -0.69; 95%CI, -1.25 to -0.13; p = 0.02). A pooled pre-post analysis of the 50 participants completing the six-week tango program revealed a close to 10% improvement of fatigue (p = 0.0003), insomnia (p = 0.008) and further quality of life outcomes. Adjusted multivariate linear regression analyses revealed the greatest improvements for participants who were more active in sports. In particular, survivors who received endocrine therapies, were obese, or had no prior dance experience seemed to especially benefit from the tango program. CONCLUSIONS: This randomized controlled trial demonstrated that a six-week Argentine tango program improves fatigue in breast cancer survivors. Further trials are warranted to determine whether such improvements lead to better long-term clinical outcomes. TRIAL REGISTRATION: trial registration number DRKS00021601. Retrospectively registered on 21 August 2020.

Evidence of the Effects of Dance Interventions on Adults Mental Health: A Systematic Review.

BACKGROUND: Recent research has shown that dancing takes effect directly in improving mental health, by reducing rates of depression, anxiety, and enhancing the mood aspects in people of any age. AIM: This systematic review aimed to search for evidence of the effects of dance interventions on adults' mental health. METHODS: The eligibility criteria of the studies were defined by following the PICOS strategy, considering the population, intervention, comparison, result, and the study design. Only randomized clinical trials, conducted in adults of both sexes, with results related to mental health, including depression and/or anxiety and/or stress and/or mood disorder were considered eligible for this review. The search was conducted using 5 databases: PubMed, Cochrane Library, Web of Science, Scopus, and ScienceDirect from 2005 to 2020. The Cochrane Collaboration tool was used to assess the risk of bias in randomized clinical trials. The synthesis and presentation of results followed the guidelines of the PRISMA model. RESULTS: Of 425 selected studies, 10 randomized clinical trials were included in the review with a total of 933 participants between 18 and 62 years old. Studies included Dance Movement Therapy, Latin dance, tango, rumba, waltz, Nogma, quadrille, and Biodanza. The results indicate that regardless of style, adults who participated in dance interventions showed a reduction in symptoms of depression, anxiety, and stress compared to groups that did not participate in any type of intervention. DISCUSSION: In general, studies showed an unclear risk of bias in most items assessed. Based on these studies, it is possible to assume that the practice of dance contributes positively to the maintenance or improvement of mental health in adults.

Don't stop me now: A qualitative study of how Brazilian dancers and staff perceive injury and its prevention.

OBJECTIVE: To investigate how Brazilian dancers and dance staff perceive and deal with injury and its prevention in professional and non-professional contexts. DESIGN: Qualitative study. SETTING: Semi-structured interviews conducted using an online platform. PARTICIPANTS: Thirteen participants (8 women, 5 men) from four different dance styles (classical ballet, jazz, contemporary and urban): 6 dancers, 6 staff and 1 classified as both. MAIN OUTCOME MEASURES: Interviews were recorded, transcribed and analyzed based on Grounded Theory principles using comparative data analysis. RESULTS: The main themes and findings were: 1) Injury definition: Injury was defined and classified based on pain, structural damage and consequent limitations and restrictions. 2) Dealing with injury: Dancers' fear of having to stop dancing justifies different behaviours facing injury. 3) Injury factors: Overload and many personal and environmental factors were perceived as related to injury. 4) Injury prevention: it is linked with physical preparation and additional measures and influenced by communication, trust, experience, time, access to preventive programs, dancers' personalities and environmental factors. Responsibility for injury prevention should be shared by all stakeholders. CONCLUSIONS: To improve injury prevention, we need to acknowledge the dancers' drive to keep dancing, consider the multiple factors that influence their behaviours, and develop education and self-efficacy to help them make better decisions to reduce the risk of injury.

El valor de la danza en la formación profesional de los docentes de Educación Física

En la actualidad, la danza es reconocida como una forma de expresión y movimiento que contiene elementos de ritmo y una acción corporal indispensable para el proceso formativo del área de Educación Física. En virtud de lo expuesto, el objetivo del trabajo que se comparte en el presente artículo es sistematizar las bases teóricas y metodológicas que fundamentan el valor de la danza en la formación profesional de los docentes de Educación Física. Se desarrolló una investigación de tipo documental-cuantitativa, para lo que se seleccionaron fuentes y autores relacionados con el tema, se recopilaron documentos de revistas científicas indexadas en bases de datos, así como en repositorios de universidades y centros de investigación; se emplearon métodos del nivel teórico como el analítico-sintético, inductivo-deductivo y el análisis de contenido como herramienta metodológica, para el procesamiento, análisis y sistematización de la información, al igual que la encuesta aplicada, cuyos resultados evidenciaron un índice de concordancia muy aceptable (w=0.722). Las conclusiones del estudio posibilitaron revelar el valor de la danza y la necesidad de una adecuada formación profesional de los contenidos con carácter expresivo, en los docentes de Educación Física.

SÍNTESE Actualmente, a dança é reconhecida como uma forma de expressão e movimento que contém elementos de ritmo e uma acção corporal indispensável para o processo de formação na área da Educação Física. Em virtude do acima exposto, o objectivo do trabalho partilhado neste artigo é sistematizar as bases teóricas e metodológicas que sustentam o valor da dança na formação profissional dos professores de Educação Física. Foi realizado um tipo de investigação documental-quantitativa, para a qual foram seleccionadas fontes e autores relacionados com o tema, foram recolhidos documentos de revistas científicas indexadas em bases de dados, bem como em repositórios de universidades e centros de investigação; foram utilizados métodos de nível teórico, tais como análise analítico-sintética, indutivo-deducativa e análise de conteúdo como instrumento metodológico para o processamento, análise e sistematização da informação, bem como o inquérito aplicado, cujos resultados mostraram um índice de concordância muito aceitável (w=0,722). As conclusões do estudo permitiram revelar o valor da dança e a necessidade de uma formação profissional adequada em conteúdos expressivos para professores de Educação Física.

Currently, dance is recognized as a form of expression and movement that contains elements of rhythm and bodily action essential for the training process in the area of Physical Education. By virtue of the above, the objective of the work that is shared in the present article is to systematize the theoretical and methodological bases that support the value of dance in the professional training of Physical Education teachers. A documentary-quantitative research was developed, for which sources and authors related to the subject were selected, documents from scientific journals indexed in databases, as well as in repositories of universities and research centers were collected; theoretical level methods were used such as the analytical - synthetic, inductive-deductive and content analysis as a methodological tool, for the processing, analysis and systematization of information , as well as the applied survey, which results showed a very acceptable concordance index ( w=0.722 ). The conclusions of the study made it possible to reveal the value of dance and the need for adequate professional training of expressive content in Physical Education teachers.