Preventive Conservation of a Short Theatre Skit (Valencian "Sainete") with Cloud Data Storage and Internet of Things.

Preventing the progressive deterioration of works of art over time is a topic of great interest to collectors and museums. With this aim, time capsules where environmental conditions remain unchanged are well known for preserving art. In this paper, a prototype of an IoT time capsule is presented with a focus on low cost in order to make it accessible to private collectors or small museums with tight budgets. Valencian 'sainetes' (small plays), which are considered materials of artistic interest, have been placed in a "time capsule", which is a manually made container with insulating materials for keeping small pieces for a long time. Environmental control has been performed with a low-cost microcontroller, sensors and actuators connected to a free online IoT platform. This platform recorded data and made decisions based on these data, sending cooling or heating orders to an environmental control system. The results obtained are very satisfactory and open interesting perspectives for future research. However, they also highlight some relevant technical and economic limitations that will have to be considered in the future.

Pavilhão Mourisco: desafios para sua preservação / Moorish Pavilion: preservation challenges

Resumo O artigo analisa os desafios para a preservação do Pavilhão Mourisco do ponto de vista da equipe do Departamento de Patrimônio Histórico da Casa de Oswaldo Cruz. Apresenta as principais vulnerabilidades do edifício e acervos móveis nele abrigados e a mudança gradual de abordagem em relação à atuação do departamento - da intervenção pontual de restauração à definição de estratégias globais com foco na conservação preventiva. Para tanto, traça um breve panorama das principais obras realizadas na edificação nos últimos trinta anos, bem como das ações contínuas de conservação implementadas, apresentando a metodologia adotada para a elaboração do Plano de Conservação Preventiva do conjunto formado pelo edifício, bens integrados e acervos móveis.

Abstract The challenges facing the team from the Department of Historical Heritage at Casa de Oswaldo Cruz in the preservation of its main building, the Moorish Pavilion, are discussed. The main weaknesses of the building and the collections of artifacts it contains are presented, and the gradual change in approach adopted by the department - from ad hoc restoration interventions to the setting of broad strategies for its preventive conservation - is discussed. To this end, a brief overview is given of the main work done on the building in the last thirty years and the ongoing conservation actions undertaken, including the methodology adopted for the design of the Preventive Conservation Plan of the building, its integrated heritage, and its collections of artifacts.

Investigation on the hazing of a Brazilian contemporary painting.

A whitish crystalline-like coating was observed on the surface of the painting "Incêndio", 1990, produced by Emmanuel Nassar and awarded at the 6th Biennial of Cuenca. This work belongs to the Contemporary Art Museum of the University of São Paulo (MAC-USP) and such coating modified the artwork characteristics, causing an unpleasant effect and compromising its exhibition. The choice of the proper conservation and restoration strategies involves the understanding of the degradation process, demanding the identification of the chemical compounds formed on the painting surface, as well as of the other components in the painting. The results here obtained from Raman and optical microscopies, FTIR-ATR, SEM-EDS and GC-MS, revealed that the efflorescence chemical composition is almost only palmitic acid, with minor contents of stearic acid and their methyl esters, and that the paints are composed by chrome yellow, amorphous carbon and toluidine red pigment; an aluminum silicate filler in the black paint applied on the aluminum ground was also detected. Hierarchical Cluster Analyses (HCA) of the Raman spectra also revealed that the concentration of the efflorescence minor components depends on the paint composition. It was suggested, therefore, that the degradation process resulted from segregation and migration of mainly palmitic acid from the dried paints. Restoration methodologies used in similar cases, as well as factors that contribute to this process, were discussed.